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“A Talking Picture” (2003, Manoel de Oliveira): The great September 11th movie, from a spry ninety-five-year-old who sees not only the century’s long view but seemingly encompasses Homer’s.ħ.
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“The World” (2005, Jia Zhangke): The best new non-American director of the last twenty years, here revealing, at great risk, China’s, and his own, painfully ambiguous place in the world.Ĥ. “ The Darjeeling Limited” (2007, Wes Anderson): As ever with the films of Wes Anderson-the best new American director of the last twenty years-love and death, comedy and tragedy, comfort and adventure, understanding and opacity, style and substance fuse in a modernism of personal and reflexive cinema and a classicism of grand and subtle literary emotion.ģ. “Eloge de l’amour” (“In Praise of Love”) (2001, Jean-Luc Godard): Lives up to the promise of its title: one of the most unusual, tremulous, and understated of love stories, as well as the story of love itself a depiction of history in the present tense, as well as a virtual thesis on the filming of history a work of art, as well as the story of the work at the origin of art Godard’s third first film, thus something of a rebirth of cinema.Ģ.